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Acknowledgments
Illustrations
Prologue: A Visit to La Pietra
1: Children of the Sun
Definitions and Perspectives
Dandyism in the 19th Century
The Commedia Dell’arte and the Ballet
2: England in 1918
The Men of Action
Fathers and Sons
Uncles for Rogues
The Men of Feeling
The Undermining of the Fathers
Uncles for Dandies
The Defiance of the Fathers
3: The New Dandies Arrive
4: 1918–1922: Eton
Brian and Harold and Their School
Other Etonians
Raising the Banner of Art
5: 1922–1925: Oxford
Brian and Harold at Oxford
The Larger Scene
New Friends
Other Undergraduates
The Dandies’ Rivals and Enemies
6: 1925–1932: London
Brian and Harold in London
New Friends and Allies
Waugh and British Dandyism
Enemies and Rivals
Brian’s and Harold’s Careers
7: 1932–1939: Chinese Philosophy and German Politics
Brian and Harold in the ’30s
Men of the ’30s
Auden and Company
Old Friends
Aesthetes and Anti-Aesthetes
8: 1939–1945: The War
Harold and the Patriots
Brian and the Traitors
The Manhattan Project
Waugh and Old Friends
Orwell and Old Enemies
9: 1945–1951: Exile and the Decay of Hope
The National Trauma
Harold Acton and the Right
Brian Howard and the Left
Guy Burgess and Politics
The Manhattan Project
Aesthetes and Anti-Aesthetes
10: 1951–1957: Aging and Suicide
Acton and Howard and England
Waugh and the Others
New Voices
Trouble in Institutions
Aesthetes and Anti-Aesthetes
11: Confessions and Conclusions
The Critic’s Conversation with Himself
The Second Conversation
The Third Conversation
Appendices
A: A Dramatis Personae
B: Children of the Sun: A Short History of the Concept
Bibliography
Notes
Permissions
Index